How to weight and organize evidence

In a typical financial white paper, you must organize evidence to support your argument. John R. Trimble’s Writing with Style suggests how you can do that.

Step 1. List the evidence

In Trimble’s example, a writer starts by listing all of the evidence. Next, the writer weighs the arguments. This is important because “the shotgun approach—a blast of unconnected reasons—is out of the question,” says Trimble.

Step 2. Categorize

Next, it’s time to organize the arguments by category. “This is a crucial part of the writing process, he knows, for his reader will expect the proof of this is sorted into neat, logically developing stages.” In Trimble’s example, the evidence is divided into moral, economic, political, and legal reasons.

Categorizing is a step that lends itself to mind mapping, a technique that I discuss extensively in Financial Blogging: How to Write Powerful Posts That Attract Clients. With Trimble’s example, I’d create “branches” for moral, economic, political, and legal reasons around a central circle holding the paper’s topic. That mind map would give me a bird’s eye perspective, which would help me work on Trimble’s next task.

Step 3. Put in the right order

Figuring out the sequence for presenting the arguments is an important related task. This poses questions, says Trimble:

Should the most persuasive ones all come first, or should he build his argument from least persuasive to most persuasive, or should he mix them? Or would he be wiser to eliminate most of the marginally persuasive reasons and go for quality rather than quantity?

Trimble votes for quality over quantity. I agree.

However, he also votes for an “increasingly persuasive order of arguments.” That’s often not the best approach, in my opinion, especially if the arguments are discrete, and don’t build on one another. In that case, you might lose your readers before they reach your best arguments.

My take on the right order

I’d prefer to start with the strongest argument. That helps you to capture your readers’ attention so they’ll stick with you throughout your white paper.

With the evidence in Trimble’s example, I might start with the strongest category and the strongest point within that category, and then move through the weaker points in that category. Then, I’d move on to the second-strongest category.

Of course, starting with the strongest category’s strongest point isn’t always possible. Sometimes that strongest point rests on a weaker point in that category—or in a different category. Such complex relationships are why I enjoy mind mapping to help me visualize the relationships among the points I want to make.

 

Whether or not you agree with every detail of Trimble’s approach, he’s right that you must categorize and weight the evidence to persuade your readers.

 

Disclosure: If you click on an Amazon link in this post and then buy something, I will receive a small commission. I provide links to books only when I believe they have value for my readers.

The image in the upper left is courtesy of Tony Webster [CC BY-SA 3.0]

I feel bad, or do I?

Which is correct—“I feel bad” or “I feel badly”—when asked “how do you feel?”

I know “bad” is an adjective and “badly” is an adverb. However, I wasn’t sure which was correct in this case. So, I was interested in the entry for “Bad, badly” in Theodore Bernstein’s The Careful Writer: A Modern Guide to English Usage. Would it clarify the conflict of bad vs. badly?

Bernstein’s take on bad vs. badly

Bernstein says “bad” is correct because “’Feel’ is a copulative verb, equivalent in meaning to ‘am,’ and therefore is followed by an adjectival form (bad), not an adverbial form (badly).”

Copulative verb? I don’t remember hearing that term before.

Garner’s take

I turned to Garner’s Modern American Usage for his take. Garner says, “When someone is sick or unhappy, that person feels bad—not badly. In this phrase, feel is a linking verb, which takes a predicate adjective instead of an adverb.”

Predicate adjective is another unfamiliar term. But, I’m relieved to find that Bernstein and Garner agree on “feel bad.”

Garner cites a number of cases where major newspapers incorrectly used “feel badly” instead of “feel bad.” So, if you sometimes use the wrong form, you have company. (However, if you ever read my Mistake Monday posts, you know that newspapers make plenty of mistakes.)

Garner’s “Language-Change Index” estimates that the incorrect use of “feel badly” is at Stage 2, in which “The form spreads to a significant fraction of the language community but remains unacceptable in standard usage.” (My copy of Garners dates back to 2009. The stage may have changed since then.)

Now, how do you feel?

 

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Ideal ratio of long to short sentences?

Is there an ideal ratio of long to short sentences? A tip in John R. Trimble’s Writing with Style  made me ponder this question.

Trimble says:

As a rule of thumb, whenever you’ve written three longish sentences in a row, make your fourth a short one. And don’t fear the super-short sentence. It’s arresting. Sometimes just a single word will be plenty long.

It’s a good idea to vary your sentence length. Same-length sentences—even if they’re short, not long—grow monotonous.

A short sentence—like “it’s arresting” in Trimble’s tip—gives readers a chance to breathe. Be kind to your readers.

 

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How to achieve continuity in your writing

Continuity in your writing is important. By continuity, I mean the easily followed flow of each sentence, paragraph, and section to what follows it.

I don’t remember reading about this topic before I encountered a section on “The importance of continuity” in John R. Trimble’s Writing with Style.

Here are four techniques that support continuity.

How to achieve continuity in your writing

1. Clean narrative line

Part of continuity is what Trimble calls “a clean narrative line. … Each sentence, each paragraph is hinged on the one that precedes it.”

As Trimble says, “When you know precisely where your essay has to go, you can ‘tell’ your argument as simply and coherently as if it were a story, which in a sense it is.” This is why, when I teach writing to financial professionals, I stress organizing your thoughts before you write. Financial Blogging: How to Write Powerful Posts That Attract Clients devotes an entire chapter to how to do this using mind mapping.

2. Parallel structuring

Still, there are other techniques you can use for continuity. Trimble mentions parallel structuring, which refers to:

the way paragraph 2 repeats the pattern of paragraph 1; the way each of those paragraphs ends with a key sentence; the way paragraphs 3-5 all begin alike; the way the closing paragraph looks back to the opening paragraph, and so forth.

Parallel structuring is not required. In fact, sometimes it is counterproductive when it’s forced or boring. However, it can sometimes help. Consider adding it to your writing tool kit.

3. This, that, and other words

Trimble recommends “the occasional repetition of key words” as well as “the careful use of pronouns such as this and that.” Those pronouns link to the preceding sentences.

Next, there’s the use of conjunctive adverbs or transitional phrases. Some are “bookish,” while others are conversational, like “in addition” versus “also.” Trimble lists many examples of these words that help “signpost” an argument.

4. Bridge sentences

Here’s another tip from Trimble: “View each paragraph opener as a bridge sentence aimed at smoothing our way into the new paragraph.” His illustration of the technique is very similar to what I suggest in my blog post discussing first-sentence checks.

Work at continuity

Continuity may not happen naturally. Trimble’s tips provide some tools to help you create continuity where it’s lacking.

 

Disclosure: If you click on an Amazon link in this post and then buy something, I will receive a small commission. I provide links to books only when I believe they have value for my readers.

 

The image in the upper left is by Gerd Altmann from Pixabay

Picture one person your work will help

Do you sometimes get stuck in the middle of writing something? Writer’s block and challenges with time When: the scientific secrets of perfect timing by Daniel Pinkmanagement are common problems. I found a tip that may help in When: the scientific secrets of perfect timing by Daniel Pink. The book discusses how to act at the right times, and how to overcome challenges at different points.

One person can help

One of Pink’s tips aims to help people who are stuck at a midpoint. “Picture one person who will benefit from your efforts. Dedicating your work to that person will deepen your dedication to your task,” he says.

I’ve met many advisors who struggle with completing blog posts, quarterly letters, or white papers. If you’re among them, would you feel more motivated to finish your blog post about 529 plans when you think about your meeting next week with the Millers, who want to help fund their grandchildren’s education? What if you think about a prospect with a highly concentrated stock portfolio, when you work on your white paper about diversification? Those thoughts would make a difference for me.

Added benefit for writers

Thinking of one person in your target audience is a doubly helpful tip for writers. Why? Because thinking about your reader will help you to write in a way that’s more reader-friendly than if your audience seems faceless to you. For example, you may remember that Jill Brown didn’t understand that technical term you used in explaining something to her.

More ways to overcome writer’s block

If you’re looking for more tips, here are my posts on managing writer’s block and distractions:

Your ideas?

How do you keep yourself moving when you feel stuck in a project? I’m always interested in learning from you.

 

Disclosure: If you click on the Amazon link in this post and then buy something, I will receive a small commission. I link only to books in which I find some value for my blog’s readers.

 

The image in the upper left is courtesy of Miklós Barabás [CC BY-SA 4.0]

4 tips for trimming extra words

Bryan Garner offers four tips for trimming extra words in his chapter “Waste no Words” in his HBR Guide to Better Business Writing.

They include, when possible:Bryan Garner: HBR Guide to Better Business Writing

For examples of how to trim extra words, see my posts on Word and phrase substitutions for economical writers and More substitutions for economical writers

 

Disclosure: If you click on the Amazon link in this post and then buy something, I will receive a small commission. I link only to books in which I find some value for my blog’s readers.

 

The image in the upper left is courtesy of Biswarup Ganguly  [CC BY 3.0]

No brevity without substance, please

“Brevity without substance is useless.” This statement in Bryan Garner’s HBR Guide to Better Business Writing spoke to me. Bryan Garner: HBR Guide to Better Business Writing

 

If you regularly read this blog, you know I’m a big fan of writing concisely, and observing the rule of 42-14-2. However, sometimes a longer sentence is easier to understand than a shorter sentence. And, a paragraph may be easier to understand than a single sentence.

Garner sums up your goal as follows; “Provide only the information the reader needs to understand the issue—no more and no less.”

 

Disclosure: If you click on the Amazon link in this post and then buy something, I will receive a small commission. I link only to books in which I find some value for my blog’s readers.

 

The image in the upper left is courtesy of Nick Youngson  [CC BY-SA 3.0

Writing to understand

I agree with Japanese novelist Haruki Marukami who says,

I have to write things down to feel I fully comprehend them.

Writing things down forces me to clarify what I think. It forces me to learn as I fill in the missing links between different parts of what I’m saying.

This learning process is one of the reasons I enjoy blogging. That’s especially true of longer pieces such as “6 tips to keep your compliance officers happy,” in which I’m combining insights from multiple sources.

Many investment and financial planning professionals who blog share my feelings about writing to understand. They have confirmed this in their answers to polls I’ve run. This also fits with the theme of William Zinsser’s Writing to Learn, a classic book.

I’d like to thank Warren, a subscriber to my e-newsletter, who sent me the link to Dictionary.com’s “13 Quotes All Writers Will Relate To,” where I found Murakami’s quote.

 

 

 

Disclosure:  If you click on an Amazon link in this post and then buy something, I will receive a small commission. I link only to books in which I find some value for my blog’s readers.

My 2019 reading, with recommendations

Avoid embarrassment by hiring knowledgeable writers

The other day, a prospect asked me for an example of a time that my financial knowledge saved someone from making an embarrassing mistake. I couldn’t think of anything then. However, something soon happened that reminded me of the benefit of working with a writer knowledgeable about your field.

Embarrassing misunderstanding

Something didn’t seem right when I read an article draft referring to an advisor using “advanced quantitative research (AQR) funds” in client portfolios.

I’ve never seen AQR used as an acronym for a style of investment management. Also, I know there’s a firm called AQR. A Google search took me to the website of AQR Capital Management, an asset manager that pursues “systematic investing” that’s available in mutual funds, as well as in separate accounts.

I asked the writer to check whether the original reference was correct, or did the advisor use AQR Funds, meaning funds managed by AQR Capital Management, with his clients?

Sure enough, the advisor used funds managed by AQR Capital Management. Luckily, we caught the error before anyone outside (or inside) the firm spotted the error. The embarrassing mistake didn’t see the light of day.

Filling in blanks

From experience, I knew what my client meant when her draft referred to the lower interest rates of the past year. But would her clients get it?

Most nonfinancial folks don’t follow rates closely—unless they’re mortgage shopping or applying for some other type of loan. To save my client time, I looked up and dropped in information on the fed funds and 10-year Treasury rates.

A non-expert could have asked “What low interest rates?” A more knowledgeable writer can fill in the blanks, saving time for the client.

Avoiding compliance problems

Knowledgeable writers minimize your problems with compliance. Writers who haven’t worked in investment or wealth management are likely to run into problems. Sure, they’ll make a strong case for the benefits of your recommendation. They’re also likely to step over the lines of what compliance considers permissible.

For example, they might say, “This investment will boost your returns.” They won’t be familiar with the prohibition against guarantees or with the hedging language beloved of compliance professionals. They won’t have gone through formal compliance training. They won’t even have the informal training that I discuss in 6 tips to keep your compliance officers happy.

Other benefits of knowledgeable writers

Knowledgeable writers will:

  • Ask better questions because they understand the issues raised by your topic
  • Write in a way that’s easier for readers to grasp because the writers understand jargon and can convert it into plain English

What if your writer isn’t knowledgeable?

You can’t always find knowledgeable writers. Or, maybe you can’t afford them—they do charge more than novice writers.

Here’s how you can prevent an AQR-type mistake (or at least make it less likely):

  • Avoid jargon when presenting information to a writer. If you work mostly with individuals and families—rather than institutional investors—that’s always a good practice.
  • Read drafts carefully and critically. I believe the advisor referred to above had a chance to read the article before I saw it.
  • Get more than one person to proofread your piece. Different people catch different mistakes.

Using a less-knowledgeable writer isn’t all bad. As I said, your writer may be more affordable. And, you may benefit from using an inquisitive less-knowledgeable writer, especially if you’re writing for a less-sophisticated audience. If your writer forces you to explain things in plain English, the article that results may be easier for your readers to understand. At a minimum, a less-knowledgeable writer should deliver a grammatically sound article that reads well. However, you may need to correct mistakes or misconceptions in their drafts.

You may need to try—and see the drawbacks of—a less-knowledgeable writer before you make room in your budget for someone more experienced. Many of my clients have come to me after unhappy experiences with writers who lacked specialized knowledge.